AMEK EQ 200 Crack v2.0.1 Mac & Windows + VST Key Latest Download

AMEK EQ 200 Crack v2.0.1 Mac & Windows + VST Full Free Download

Based on the first parametric equalizers that started it all, the AMEK EQ 200 Crack is a beautifully transparent plugin EQ, inspired by the classic sound of icons like the GML 8200 and vintage SUNTEC EQs. Plugin Alliance and Brainworx are proud to bring you the very first in a series of new plugins under the iconic AMEK brand, which has just joined the Plugin Alliance family. The first product under the new AMEK brand is the EQ 200, which is modeled after some of the most coveted hardware EQs ever designed.

Plugin Alliance torrent link and Brainworx are proud to bring you the very first in a series of new plugins under the iconic AMEK brand, which has just joined the Plugin Alliance family. The first product under the new AMEK brand is the EQ 200, which is modeled after some of the most coveted hardware EQs ever designed. Drawing on years of experience in analog modeling, Brainworx’s goal with the EQ 200 was to develop a plugin that captures the DNA and recreates the unique sound of the most legendary parametric equalizers of the 70s and 80s.

This era was dominated by new, paradigm-shifting EQ designs from brands such as SONTEC and GML, which offered groundbreaking new features, including parametric control: the ability to adjust the center frequency and bandwidth for each band. While this is a standard feature on EQs today, it was an absolute audio revolution back then. The extraordinary resolution, extreme transparency, enormous headroom, and surgical precision of these classic 70s and 80s mastering-grade EQs served as the inspiration for many later equalizer designs. And for many top engineers, these original parametric EQs are still considered unrivaled tools, even today.

• 5 wide overlapping fully-parametric EQ bands
• Additional High and Low pass filters, and Low and High shelving EQs
• 15dB or 7dB switchable boost or cut for each band
• Modelled after the brilliant, precise and beautiful sound of legendary EQs
• Includes Brainworx signature plugin-only enhancements
• Scalable UI to adapt to your screen size and workflow

This Brainworx EQ is inspired by esoteric mastering hardware:

Despite the Amek branding, Plugin Alliance’s new Brainworx Amek EQ200 is inspired by owner Dirk Ulrich’s love of certain mastering hardware, notably EQs made by Sontec and GML. Before you rush out to compare it with those frighteningly expensive mastering units (or plug‑in emulations of them), I should point out that this doesn’t directly emulate either. Rather, the Brainworx team set out to create a hybrid that builds on what Ulrich considers the most desirable control elements and tonal characteristics of those processors. They’ve taken the opportunity to extend the functionality in software too, with new features and some that were introduced on previous Plugin Alliance software.

The Amek EQ200 is available in the common plug‑in formats for Mac and Windows Installation on my MacBook Pro (Mac OS 10.14.1) was hassle-free, and I tested the AU and VST2, and VST3 versions in Reaper and Cubase.

Workflow:

This is a dual-channel five-band parametric EQ, each band of which is individually bypassable, but it boasts many other features. There are additional 12dB/octave high- and low-pass filters plus a Mono-maker elliptical filter, a Mid‑Sides-based stereo width control, and a THD harmonic distortion control. There’s a generous overlap between the five parametric bands. The two channels can be linked/unlinked as you prefer and can be configured to process the Left and Right or Mid and Sides channels. So there’s plenty of flexibility here, though you can’t select L‑R/M‑S per band, which would be nice.

There’s no frequency analyzer or visual representation of the changes you make to the frequency response, of the kind we’ve grown accustomed to seeing on so many digital EQs, but I like that. Much as I like to think I’m not swayed by what I see, I find I make different decisions, and largely better ones, with less assertive boosts and cuts, when I use an EQ with this sort of interface — where the sound and the position of the knobs are all I have to go on — than I do when using something like, say, FabFilter Pro‑Q3.

Despite the profusion of virtual knobs, buttons, and LEDs, the layout is clean and intuitive, particularly when you have the lower panel hidden. The LP/HP filters are at the outside of each channel, and on each channel the bands run, reading left to right, from low to high. Gain is at the top, bandwidth is in the middle, and frequency is at the bottom. Beneath each gain control is a switch to change the scale from ±15 to ±7 dB. The latter generally proved more useful to me in mastering and on master-bus EQ — both roles in which this EQ serves well — as it makes fine control much easier. Worth noting is that if you’ve already moved the knob from its neutral position, and then click the ±7/±15 button, you’ll change the amount of boost/cut on that band. I’d have preferred it if the value remained constant (when still in range) but the knob moved accordingly, and a global button for this might be helpful too. Nonetheless, it’s a useful facility.

Between the two channels, are more controls. The Gain Scale knob and Invert button are thoughtful features. Many are the time that I found I’d boosted/cut the right frequencies but had generally overcooked things, and backing things off on the Gain Scale control delivered the desired result quickly. On occasion, I also found it useful to exaggerate what I’d done — rather like a magnifying glass that led me to refine some decisions before dialing the Gain Scale back again. Its real use, though, is for boosting to find undesirable resonant frequencies, then hitting Invert to take them out, and then scaling those cuts to taste. Very handy.

The EQ In button is a bypass, as you’d expect, except that it applies not only to the EQ bands but also to the various other top and bottom panel controls. By default the two channels are linked for L‑R stereo operation, so clicking either bypass button bypasses both channels. In the lower panel, though, you can choose to unlink the channel controls, including the bypass. (Very occasionally, in v1.0, changing the link/unlink setting triggered a bug in the master output level control, making it apply only to one channel.)

What you can’t do is to first unlink the channels and apply a corrective offset to one, and then apply a linked boost/cut to the same band. If, say, I’d applied a 1dB boost to the Sides channel while unlinked, and then I linked the channels and tweaked the same band in the Mid, I’d lose that 1dB Sides boost; the Sides would jump to and follow the Mid setting. I’d prefer it if there were an option for the second action to apply an offset to the first, so boosting the Mid by 1dB would increase my 1dB Sides boost to 2dB. Of course, this being software you could use two instances to achieve the same thing.

The remaining control in the middle of the GUI engages an Auto Listen facility. Switch this on, and when you click and drag a Q or frequency control it will solo that band. More helpful still is that you can achieve the same thing using a modifier key. There are also modifier keys for fine control and to jump between the default and last settings — the actual keys for these modifiers vary according to the plug‑in format and the OS, as detailed in the PDF manual.

A feature in the Advanced panel is Plugin Alliance’s Tolerance Modelling Technology. The idea is to simulate the per-channel differences of analog hardware that result from variations in the tolerances of components. You can choose one of two stereo modes. The first has both channels identical, while the second uses different profiles for each. In either mode, you can select which two of up to 20 modeled profiles are used. I can’t say I found it of much use in this particular plug‑in — it’s a feature that comes into its own when using many instances on different channels, such as you might with PA’s SSL channel-strip emulation. But it’s a nice extra, and if you work with lots of top-down EQ on the stereo mix bus and various subgroups it could be useful here.

Key Features :

• Brainworx TMT Inside: Patented Tolerance Modeling (TMT) technology simulates channel-to-channel variations in electronic components for the most realistic analog sound possible within a DAW
• M / S Processing – A simple workflow enhancement to dramatically adjust the width and depth of your mixes
• Mono-Maker: Add your low-frequency content to mono, giving you a focused, punchy bass response.
• Stereo Width: Expand the stereo width of your tracks.
• High-pass and low-pass filter: continuously variable filters with a slope of 12 dB per octave
• Variable THD control: for adding additional analog tone and mojo
• Correlation, Balance, Input and Output meters – to better understand and control your EQ curves
• Automatic listening: available on all five bands to hear each change in isolation
• Scalable user interface: to perfectly adapt to the size of your screen

 More Features:

• 5 broad bands of fully parametric EQ overlaid
• Additional low and high pass filters and treble and bass shelf EQs
• Switchable 15dB or 7dB boost or cut for each band
• Modeled after the brilliant accurate and beautiful sound of legendary EQs such as the GML 8200 and legacy SONTEC EQs
• Includes exclusive enhancements to the Brainworx signature plug-in, including TMT modeling, variable THD control, M / S processing, Mono-Maker mode, Auto Listen and more
• Scalable user interface to adapt to screen size and workflow
• Loaded with many useful presets to give you a starting point in finding your sound, including presets from legendary mastering engineer Howie Weinberg (LA

What’s New ?

• At Plugin Alliance we know that time and efficiency are the two most valuable benefits of an audio professional.
• We have integrated this philosophy into our licensing system so that users can easily activate their plugins by simply logging into their accounts to easily authorize a machine or USB stick.
• Installation Manager is the most convenient way to download and install Plugin Alliance products.
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System Requirements: